Die Malerschule von Nürnberg im XIV. und XV. Jahrhundert in ihrer Entwickelung bis auf Dürer
A scholarly art history from 1891 by Henry Thode, published in Frankfurt by H. Keller, on the Nuremberg school of painting in the fourteenth and fifteenth centuries up to Dürer. Its plates reproduce altarpiece panels by Michael Wolgemut and others as black-and-white halftones and engravings, with dense Gothic tracery, crowded groups of robed figures, and dramatic scenes of the Passion, which a designer might use for period-accurate medieval compositions and framing.
