Impressionist painting, its genesis and development
Wynford Dewhurst's 1904 London survey of Impressionist painting, published by G. Newnes and drawn from the Getty Research Institute's copy, reproduces artworks as halftone plates, each captioned with the painter's name and title. The plates show landscapes and river scenes with loose, broken brushwork, a useful reference for designers studying Impressionist tonal sketching and light-filled outdoor composition.
