La sculpture à Troyes et dans la Champagne méridionale au seizième siècle;
A 1900 Paris study by Raymond Koechlin of sixteenth-century sculpture from Troyes and southern Champagne, written for art historians and scholars of French Renaissance carving. The photographs are plain black-and-white plates of stone and wood figures, many shown rotated on the page, with carved drapery, weighty robes and tomb reliefs that a designer could use as references for sculpted folds and classical-Gothic figure poses.
