THE ART-JOURNAL. 52 classes, the Pope himself, and the Emperor, and ground, almost instantaneously, like so many HISTORY OF CARICATURE AND all the great dignitaries of this world, press for¬ turnips. In a subsequent engraving, represented ward eagerly to seize upon it. in our cut No. 2, Folly holds… … agitation a more permanent strength than it could of another poetical, or at least metrical, satire by spirited engravings on wood. It is another de¬ easily or quickly gain in the great monarchies. Murner, entitled “ Schelmenzunft,” or the Confra¬ monstration of the prevailing dominion of folly…
Art
Internet Archive · Getty Research Institute · Public domain (published before 1931). Free to use for anything.
