g of this most satisfactory of qualities.* threshold of resthetic creation. And yet, after all. a “Objectively, the aim of all art is to declare intention really fine portrait is a rare thing. Some schools, that . . , . to show that the artist understands the con¬ of France for instance, have… … would be intro¬ himself aside Portrait of a Man. duced. This is entirely, as some In the Collection of W. lioattic, Esq. ])}• Ridolfo Ghirlandajo. the real argument people can, he in favour of artistic unity in all connections. Now in elaborates a sort of catalogue of which precision is the chief…
Art
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![An illustration from A descriptive and illustrated catalogue of 150 paintings by old masters of the Dutch, Flemish, German, Italian, Spanish and French schools [electronic resource] (1911)](https://img.insideoutlibrary.com/img/200/ia-frick-31072002097360-153-112@90.webp)