Dutch painters of the nineteenth century. With biographical notices (1898)
Rooses, Max, 1839-1914 · London, S. Low, Marston and Company · leaf 182
e is felt rather than spoken. To her, still-life, although not the first step on the road to art, can nevertheless attain the highest point and can represent the highest art-ideal. In the Mesdag Museum there is a still-life by Millet; a brown earthenware pot, a turni[), a common bread knife, a… … d'he actual thing is not her only thought, she seeks in still-life as well as in her other subjects, the poem, the song, the mysterious beauty. Every thing must work together harmoniously : line, colour, tone, there must not be a jarring element. Does the golden tint of an onion attract her she…
Painters · Painting, Dutch
Internet Archive · Getty Research Institute · Public domain (published before 1931). Free to use for anything.
![An illustration from How we spent the summer, or, A "Voyage en zigzag" in Switzerland and Tyrol with some members of the Alpine Club : from the sketch book of one of the party [i.e. Elizabeth Tuckett] (1864)](https://img.insideoutlibrary.com/img/200/met-p16028coll4_9307-16-1.webp)
![An illustration from St. Nicholas [serial] (1873)](https://img.insideoutlibrary.com/img/200/ia-stnicholasserial211dodg-493-444.webp)
