The selection of subject in pictorial photography (1901)
Tindall, W. Edwin, 1863- · London : Iliffe & Sons · leaf 38
22 SELECTION OF SUBJECT. of the one to the light note of the other. Thus ex¬ cessively deep red would finally be lost in blackness, or if we ascend the scale it would be lost in the white paper (fig. 4). Light changes colours. Bright sunshine, for in¬ stance, on a whitewashed cottage lends… … Very deep red. Very bright red. Fig. 4. illuminated in an overpowering manner by reflection from its surroundings. This must be kept in mind when trying to give proper tone value by photography. An anecdote, illustrating the effects of comple¬ mentary contrasts, has been told of an ingenious but…
Photography, Artistic
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